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Power Without Responsibility is a classic introduction to the history, sociology, theory and politics of the media in Britain. It is an essential guide, both for students and teachers of media and communication studies, and for all those involved in the production and consumption of the media. The new edition has been substantially revised to bring it right up-to-date with developments in the media industry, new media technologies and changes in the political and academic debates surrounding media policy. In this new edition, the authors consider: * whether we are on the threshold of a new communications revolution * the role of global media empires * the rise of video, cable and satellite * the global information society and contradictions in media policy * the BBC and broadcasting at the end of the 1990s * the evolving relationship of the press and the Conservative party. Assessing the press and broadcasting at a time of radical change, the authors suggest a manifesto for media reform.
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The Radio Handbook is a comprehensive guide to radio broadcasting in Britain. Featuring two entirely new chapters for this edition, You Radio and Sport on Radio, this text offers a thorough introduction to radio in the twenty-first century. Using new examples, case studies and illustrations, it examines the various components that make radio, from music selection to news presentation, and from phone-ins to sport programmes. Discussing a variety of new media such as podcasts, digital radio and web-linked radio stations, Carole Fleming explores the place of radio today, the extraordinary growth of commercial radio and the importance of community radio. The Radio Handbook shows how communication theory informs everyday broadcasts and encourages a critical approach to radio listening and to radio practice. Addressing issues of regulation, accountability and representation, it offers advice on working in radio and outlines the skills needed for a career in the industry.
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OXFORD TELEVISION STUDIES General Editors: Charlotte Brunsdon and John Caughie Oxford Television Studies offers international authors - both established and emerging - an opportunity to reflect on particular problems of history, theory, and criticism which are specific to television and which are central to its critical understanding. The perspective of the series will be international, while respecting the peculiarities of the national; it will be historical, without proposing simple histories; and it will be grounded in the analysis of programmes and genres. The series is intended to be 3oundational without being introductory or routine, facilitating clearly focused critical reflection and...